
Description:
Soundtoys Decapitator v5 Crack – Analog Saturation Modeler the essence of what makes analog hardware sound so musical and pleasing to the ears. The sound of tubes, transistors, and circuitry being pushed to the limit has long been the key ingredient in great-sounding analog recordings. Engineers use saturation to beef things up, thin them out, give them edge, add warmth, pull elements out of the mix, and create signature sounds.
From the very subtle to the extreme, analog saturation is an integral part of great mixes. Thatβs why we took our time, studied all the great analog classics, and painstakingly created a plug-in that brings the best of analog saturation to your digital studio.
With five different analog saturation models to choose from, Decapitator is perfect for adding character to every kind of track and instrument in your mixes. Weβve also included a modeled tone control that lets you shape the saturated sound, and a mix control that lets you blend in some dry signal for parallel processing without the need for routing and sub-mixes. Combine all of this with the flexibility and reliability of a Soundtoys plug-in, and youβve got the best of analog and digital together in one essential effect.
Soundtoys 5 brings together our entire range of audio effects into one powerful collection.Β Includes all 21 Soundtoys plug-ins. See theΒ full list.
Decapitator Native plug-in by SoundToys:
The Decapitator Native plug-in by SoundToys elevates the phenomenon of analog saturation to an art! Nothing beats the way that bold and cohesive saturation brings a mix together. That’s why engineers everywhere are always on the lookout for the perfect saturation emulator. SoundToys created Decapitator by tracking and emulating the real dynamics of vintage gear – no static convolution here. That’s why mixers at Sweetwater choose Decapitator Native, to add anything from subtle odd harmonics to glowing even harmonics. Select from five different saturation modes and add spice to your bass, turn up the heat on your guitars and vocals, and beef up your kick drums. And when you want to unleash pure brutality, just punch in the Punishment button.
All of these individual elements are proven, powerful tools, trusted by professional mix engineers, musicians and sound designers everywhere. But combined in the Soundtoys Effect Rack, they are indeed the ultimate effects collection.
Analog Feel
Soundtoys Decapitator v5 Crack is not just a simple approximation of the analog sound. Weβve worked hard to capture the feel of analog gear. Not a static snapshot, but a changing responsive model of all those tubes, wires and transistors. That means you can hear subtle changes as Decapitator reacts to a track and follows the dynamics of an instrument. Thatβs what analog is all about.
In creating Decapitator, we collected and analyzed both vintage and modern hardwareβconsoles, preamps, input channels, EQs, compressors and studio distortion units. We picked the pieces of gear we felt had the most distinctive sound, and had unique character when used both subtly and at extremes. Then we created painstakingly accurate models and made them instantly accessible. By adding an analog-modeled tone control and mix knob, weβve opened up the sonic potential of these models even more.
Bad Boy
Decapitator is capable of some wonderfully subtle sounds, but we know that sometimes subtle just wonβt do it. Thatβs why weβve added the Punish button, which kicks in an extra chunk of gain to push Decapitator over the edge. When you drive it hard it reacts just like great analog gearβit screams in pain.
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And weβre not talking about fizzy stomp-box distortion. Decapitator gives you those unique qualities that only come from driving high end studio gear. Each model has its own sound of beautiful agony when you hit the Punish button and crank it up. Try it on vocals, drums, guitars, synthsβanything that sounds a little too polite!
Highlights
- Infuse your tracks with the natural vibe of analog gear
- Get real, dynamic analog saturation with 5 detailed models of studio hardware
- Push your tracks over the top with the Punish button
- Shape the contour of the saturation with analog-modeled tone control
- Create parallel effects simply with the mix knob
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