Sonokinetic Capriccio a large orchestral collection is a powerful tool for orchestral scoring, which allows you to compose, edit, combine, organize and customize the typical parts of instruments found in many cinematic orchestral scores. Whether you use any part here or there to add to an existing composition or arrange whole fragments using phrases in Capriccio, this is a useful tool for composers at all levels.
A Vigorous full Orchestral Phrase-based Cinematic Sample Library
- 52 Symphonic Strings:
Violins, Viola, Celli and Bassi
- 12 Symphonic Brass:
Tuba, Trombones, Horns and Trumpets
- 12 Woodwinds:
Bassoons, Clarinets, Oboes, Flutes and Piccolos
- 8 Percussionists:
Taiko, Symphonic Percussion, Xylophone, Tubular Bells, Glockenspiel, Piano
Website : www.sonokinetic.net/products/classical/capriccio/
Format : KONTAKT
Quality : 24 bit 44.1 kHz stereo
KONTAKT 5.5.2 +
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New Instruments and Percussion:
Capriccio’s absence of ensemble phrases is remunerated by the presence of two new instrumental classes: the Pitched Percussion instrument is isolated into ‘iron’ (glockenspiel and cylindrical chimes), ‘wood’ (xylophone) and piano, each with its own arrangement of exuberant cadenced expressions. The piano (which invests a reasonable piece of energy slamming around in its deafening low register) has some pleasant licks where the instrument’s strings are quieted with the palm of the hand, while the shrill glock and xylophone expressions can be consolidated into a quite stable picture.
Capriccio’s patches contain strings, woodwind and metal segments, pitched percussion, percussion expressions, string and woodwind runs, and percussion hits.
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A cool multi-tested percussion fix outlines cap gong, piatti cymbals, blacksmith’s iron like iron hits and some amazing, ground-breaking low drum tests, lolling in an extremely satisfying, characteristic show lobby vibe and planned for two-gave playing, these ethnic-sounding drums are a star highlight. I was baffled not to locate any full-length crashes in the piatti hits; the player shortens the support of the hand-conflicted cymbals in all exhibitions, denying them of a portion of their touchy quality.
As in Grosso, an enormous number of percussion phrases highlighting taiko, instrumental catch and Sonokinetic Noir Review bass drums and metals are incorporated. Many are of a battle ready nature, appropriate to riotous and fierce screen commotion, with a major, manly presence, direct cadenced development and positive forward force. A lighter, more unique touch is given by a sixteenth note design seeming like a hybrid of hand claps and drum shell hits.