United Plugins & Soundevice Digital – Voxessor 1.0

United Plugins & Soundevice Digital – Voxessor 1.0 (AAX) [WiN x86 x64]

United Plugins & Soundevice Digital – Voxessor 1.0

Year / Date of Issue: 01.2021
Version: 1.0
Developer: United Plugins & Soundevice Digital
Sales site: unitedplugins
Format: VST, VST3, AAX
Bit depth: 32bit, 64bit
Tabletka: present
System requirements: VST, AAX compatible host


Description: United Plugins & Soundevice Digital has released Voxessor. Designed as a versatile processor for speech applications, Voxessor shapes your voices, podcasts, and dialogue recordings with tools such as automatic gain compensation, compression, dessing and more.
The booming fields of podcasting and content production for YouTube and social media have one thing in common: you need great-sounding speech recordings, and you need them quickly, ideally without the long and complex processing chains used in professional dialogue and voice-over production. This is where simplified universal speech enhancement plugins like Voxessor come to the rescue.

Developed by Soundevice Digital and distributed by the Plugin Alliance, the plugin contains various tools designed to help you achieve crisp, well-balanced audio with good intelligibility without over-complicating it. Rather than confronting you with a panel full of confusing options for fine-tuning your settings, Voxessor offers a set of simple controls that let you get things done quickly.
First, there is a single knob EQ that lets you tweak different parameters of the male and female voices. You can also adjust the intensity. Voxessor also has a smart matching algorithm. It analyzes the original signal and adjusts it to match the “ideal” voice, whatever it may be.

United Plugins Voxessor:

The dynamics section offers a configurable de-esser, a single knob compressor and a single knob gate. Processing the dynamics of speech recording can be challenging. If these lightweight processors do it right, they can be a huge time-saver, especially for users with no background in sound engineering. Finally, there is Auto Gain Compensation, which automatically controls the fader to compensate for level mismatches.

If you are good with compressors, de-essers, and equalizers, you may need a few more options. But if you’re looking for a quick way to improve your speech recordings without worrying about the details, Voxessor seems to do the job just fine.

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United Plugins & Soundevice Digital is proud to announce availability of Voxessor — the latest plug-in from founding partner SounDevice Digital, dedicated to achieving a perfect voiceover in next to no time. As a piece of narration in a film or broadcast, not accompanied by an image of the person speaking, voiceover is a tried-and-tested production technique that has been used as a character device, creative device, education or descriptive device, and commercial device, as well as a translation tool, for many years. Yet it is not necessarily easy to create a great-sounding voiceover — arguably all the more so in an increasingly independent age of proliferating YouTube video and podcast presentation — with which to cast a message far and wide. Which is exactly where SounDevice Digital’s dedicated Voxessor plug-in comes into play, perfectly positioned for anyone creating commercials, e-books, movies, podcasts, YouTube videos, and, indeed, any other need to cultivate recorded speech.

Setting the controls for the heart of the human voice — starting with the self-explanatory input (db) knob (to control the input signal level, ranging from -24 to +24) and output (db) knob (to control the volume output of the plug-in itself, ranging from -24 to +24), Voxessor effectively begins by allowing its users to speedily sweep for ideal equalisation. By bypassing the tedious process of manually applying EQ, so there is no need to tweak specific frequency and Q — ratio of centre frequency to bandwidth — settings according to the person speaking’s voice characteristics, Voxessor users can skip searching for those specific sweet spots by simply sweeping through man to guy to woman to girl EQ settings — suitable for working with the deepest and most manly voices to gentle female speech, in other words — using its photorealistic graphical user interface-dominating dedicated control. Couldn’t be simpler, surely — all the more so since an associated intensity (%) knob acts as a dry/wet control for the EQ applied.

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